Ballet has been deemed a feminine sport for hundreds of years. The famous words of choreographer George Balanchine, “Ballet is Woman,” remind us of this. While some may see classical ballet as a feminized birthplace of dance for queer men and women, the art form as a whole denies more flexible roles of masculinity. For men, the majority of roles are limited to strong princes, played by cis-gender men who fit the model of hegemonic masculinity. Dance is not exempt from oppression with intersectionality between dancers. An intersectional approach is imperative for understanding the exclusion dancers face, by challenging these notions we can unite the community.
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